Deconstructing to build utopia: can architecture be a place of interpretation and event? The Garden of Delights is here re-translated into a utopian place that results from a process of theoretical reflection and plastic protocols operated through the theme of the meal. The site is then the result of a protocol of decomposition and recomposition in its layout, operating an analogy with this art of setting up, of composing and of balancing the elements in a table. The resulting artifact is the drawing of a garden, seen under its original prism: enchanting place cultivating delights but also a place of sin and dangerous temptations. A lush nature tamed by the human, who, by the architectural gesture governs its intensities and its uses, building its own temporality.